#512 Orpheus & The Raven Swansong Riesling 2024
Then the farewell went wrong, in the best possible way. Etienne loved what came out of the cellar and committed to buying more fruit. Other winemakers queued up behind him, and by the end of 2025 the block had more demand than it could supply.
This is proper mountain country. Vineyards in the region climb towards a thousand metres and the peaks around them take snow in winter, which is how South Africa ended up with a ski jacket stitched into the lining of its beach shorts. That cold is the reason the wine tastes the way it does, and this is the story of how a bottle of wine saved the vineyard that made it.
TASTING NOTES
Aromas: beeswax, homemade lemonade — the kind with some pith left in, so it reads more planty than purely fruity — and gentle lemon blossom. You get every part of the lemon tree here. As it warms a floral side comes out, and behind it something chalky, almost stony. The nose is restrained, and that is the cellar showing: juice and skins never sit together in this wine, so the precursors that build a wilder aromatic landscape never get the chance to dissolve out.
Palate: lemon candy first, cousin to the lemonade on the nose, edging towards riper orange citrus and lime cordial. Then the acidity cuts straight through it. What first reads as more citrus turns out to be Granny Smith apple skin: green, tart, insistent. The sweeter candy has barely unpacked its bags before the green apple opens every window in the house.
Weight is medium and concentration is good, and if you hold it in your mouth a moment the wine rolls over halfway across the palate — the way you do when you have slept too long in one position and suddenly find the other side of the pillow. The sweet citrus turns savoury and botanical, with a touch of salt, and the finish comes back to lemon candy with a few grains of salt scattered over it, like a boiled sweet that spent a semester at culinary school.
That green apple is not an accident of vocabulary, incidentally. Malic acid takes its name from malum, Latin for apple, and the cool ripening up on the plateau is exactly what protects it.
TECHNICAL SPECS
Etienne Louw trained as an engineer before he studied winemaking, and the cellar work shows it. The grapes are picked very early, while it is still bitterly cold up on the plateau, and moved from Ceres to Stellenbosch as fast as possible. They are pressed immediately, with no skin contact or soak at all, which keeps the bitter compounds in the skins out of the juice and goes some way to explaining the wine’s quieter, purer nose. The juice then settles cold for about two days. He ferments with a selected yeast rather than a wild population, preferring to take yeast out as a variable and let the fruit carry the difference between one vintage and the next.
The label illustration was drawn by hand and printed by letterpress. It was a runner-up for design and packaging at the Drinks Business Awards in 2020, and the wine earned 4.5 stars in the 2026 Platter’s Guide along with 92 points from James Suckling.
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